Alrighty then.
The premise is flawed. Acts of terrorism are committed by fringe groups, as opposed to a singular pilot. Even in the case of one pilot snapping and trying to crash the plane, there would be a co-pilot that would stop him.
There is no build-up to any of this. If it really was the pilot who did it, how did he get hired by one of the most hi-security industries in transportation? They typically should do background checks on these people.
Secondly, the suspension of disbelief is completely shattered when the coverage shows congress approving the 28th amendment: an amendment that effectively nullifies the constitution; the same constitution that the 28th amendment is a part of.
If the president wanted to limit our freedoms, he would either nullify the Bill of Rights, use an executive order or support a federal law. An amendment designed to nullify the constitution is essentially recursive bullshit that no state representative would pass.
And then the prologue ends with a guy named Seth stabbing "partisans" for reasons unknown. Skip 17 years later and some "cold mercenary" type is stalking Ryan Davidson, your assumed main character.
The dialogue is very stilted and forced. Why would the driver call the the mercenary by his first name? Nobody makes that mistake on a mission, especially if they were (and I'm making an assumption here) secret government "Grab team" agents.
So they pursue Mr. Davidson and the man with the earpiece suddenly gets a call from mister FBI Homeland Security head honcho asking if they have acquired the target yet. Marcus asks for permission even though they were already assigned. He asks he if Marcus "understands the full magnitude of [his] responsibility" as if the veteran operative was still in grade school. This, by the way, is seconds before they approach the target.
Then the scene shifts to a couple of guys discussing whether a guy was taken by the grab team. The hipster with the goatie is being insulted by the guy on the phone even though there's no build-up as to why and feels unprofessional for an information exchange. Also, the speech balloons are only barely distinguishable from each other.
These two characters are dropped for a very confusing first person segue into unconsciousness. Davidson then wakes up with a buttload of cuts to the back despite the fact that Marcus had a gun in the last panel that we saw him.
Finally, it ends with a bunch of unlikable 20-somethings spewing cliches at each other and mention that they let this very dangerous looking stranger into their headquarters. All of this with the implication that it's a month later despite the passing of 17 years being explicitly mentioned. What's another month?
Though this took me and my roommate a minute to read, it took us an hour and a half to figure out the plot. What we think happened is that Davidson was taken by the grab team, tortured for a month and stumbled over to the resistance that he was possibly selling weapons to.
If this isn't the plot, then we give up. You shouldn't force the reader to try and make heads or tales of what's going on.
And on top of all of this, the art ranges from mediocre to atrocious. There is no consistency in the anatomy, and perspective is very questionable. On page 8 for example, the woman's arms look atrophied in one panel, and the necks and facial features of the characters are never quite the same. There also is very little use of values, making each figure look flat.
On the plus side, the paneling is competent and the coloring is vibrant.